Monday, March 20, 2017

Tramp Folk Art




Tramp Folk Art Exhibit


Tramp art, like most folk art, celebrates both the folk artist and the times within which he or she created these unusual items.  This distinctly American folk art style spanned approximately 60 years (1880-1940). According to most reports, it was finally recognized as its own genre of woodworking in 1959. It consists primarily of homespun and handmade functional items, such as sewing boxes, picture frames and cigar boxes.

Recognized for its textured, carved wood design, it repurposed items that might have otherwise been discarded. Picture frames, for example were the result of hours of carving a piece of scavenged wood or repurposing a pine cigar box so that it had an elaborate layered design. Techniques included cutting, notching and whittling the wood and then using nails and/or glue to create familiar shapes, like star, crosses, and hearts.

The hours it took to create a piece of tramp art suggest that those with long stretches of time on their hands were most likely the artists, including sailors. The theory that it was art created by tramps or hobos has been debunked.

Samples of this unusual folk art form are on display at the Museum of International Folk Art in Santa Fe, New Mexico. No Idle Hands: The Myths & Meanings of Tramp Art exhibit runs from March 12, 2017 through September 16, 2018. More than 150 examples of this folk art will include some pieces from France, Germany, Scandinavia, Brazil, and Canada  although most of the pieces will be from the United States. The goal, according to the museum is to  demonstrate the far reaching this folk art form is.

The exhibit will also include works by contemporary makers, thus establishing tramp art as an ongoing folk art form rather than a vestige of the past.

For more details about the show, click here.

Related Information

Monday, March 13, 2017

March Madness + Folk Heroes



March B'Ball Folk Heroes


March Madness is a basketball championship that is held each spring in the United States. 68 college teams participate in this fast-paced elimination tournament that was created in 1939 by Phog Allen, a Kansas coach. With most of the games held in March, it has become one of this country’s most prominent sporting events.

Overall, sports are competitive games that have their roots in specific communities of origin. As community folklore, many of them have been modified to suit their new environment. For example, bowling which can be traced back to ancient Egypt. By the 14th century it had become popular in England. In Italy, the same game of rolling a ball and knocking down pins was known as bocci. 

Now, back to basketball. It was developed in 1891 by Dr. James Naismith who was charged with creating a new indoor sports activity. According to NBC.Com, the activity was designed as a physical education class at the international YMCA training school in Massachusetts. Originally the hoop was a peach basket that hung ten feet above the floor. 

In general, folklore sports are a very vibrant category of folklore; always present in most cultures it is a physical example of several key social values: sportsmanship, ability to compete and working with others as a team.

All sports also produce sports heroes, men and women who achieve through skill and applied determination a standard of excellence. These athletes represent the best of the best, so to speak. In turn these figures become folk heroes/heroines; people who are admired for their talents and leadership. 

Because many athletes come from adverse circumstances, they also represent what is possible for others who may also be in less than fortunate circumstances. They also serve as a rally cry for people who might not otherwise not come together as a larger community; one that can provide hometown, statewide and/or national pride.

An interesting twist in our American cultural values is the addition of wealth as success that many sports folk heroes/heroines gain during their careers. Unfortunately, sports fans can, and often do, forget about the other values that contribute to being a sports folk hero/heroine.  It will be very interesting to see how sports as an element of community folklore continues to evolve.

Here are some basketball folk heroes/heroines:
Nate Thurmond 
Nikki Caldwell
 

Related Information:

Folk Heroes and Heroines





Monday, March 6, 2017

Storytelling Basics



Storytelling Tips 

 
Storytellers are people who share legends, beliefs, myths, and fables in oral tradition settings. Not all stories are meant to be told this way and not all people can tell stories. For those who want to develop or enhance their storytelling skills, here are some suggestions that might be helpful. According to Flora Joy of storynet.org many storytellers have asked the same questions. Whether or not the storytelling is for personal or professional purposes, some of the same techniques apply.

Where to begin?

Joy’s response is “Find a story that you feel you will TRULY WANT to tell. If you aren’t "sold" on the story, it will "show" when you tell it. Your body language will reflect how much you like (or dislike) the story.”

Looking for your first story?

There are several places. Consider the following:
(1)   Ask a librarian for a collection of stories that might fit your interest.
(2)   Look at your own personal life for inspiration and try to write a story that would appeal to your audience.
(3)   Examine story collections you loved as a child.
(4)   Explore the storytelling material in public domain.
(5)   Listen to story recordings done by the professionals. Copyright principles will apply and permission will be required if you want to retell someone’s story.

How do you learn your story?

Joy says: “There are several methods used by the pros. Probably the most common is as follows: Read the story over MANY times until the story’s "voice" becomes very familiar. Then practice with the first part of the story until it feels right coming from YOUR voice. Continue with each section of the story until you’ve reached its end.”

What to do when you’re ready?

Joy suggests you practice your storytelling skills in front of an audience of listeners who you feel comfortable speaking to. Inform that audience that this is your first performance and ask for some positive and negative feedback afterward. Check out some local storytelling guilds if you feel you need to fine-tune your performances further.

To read the complete article click here.