Tuesday, April 2, 2024

National Poetry Month 2024


 Where’s Your Wiregrass?



 
What would National Poetry Month be without poets, without poetry that winds us around its lyrical fingers to keep us from flying away when metaphorical winds of pain and despair threaten our stability?
 
Poems come in all shapes and sizes. When they invite us in, they tell us something about society, about people who write poems, and about ourselves.
 
So this month, in honor of National Poetry Month, I want to share one collection in particular because it catches my breath, makes me gasp at my own sensitivities as well my insensitivities.
 
And, if tone, pacing, and imagery line up, as they do in Wiregrass and Other Poems by Moira J. Saucer, then I am brought into the greater community where fear and ignorance have the ability to suffocate even the strongest among us.
 
Consider the injury they evoke in the first stanza of the opening poem:
 
When you fall
 
Most people fall away.
It’s human nature.
There you are
inconveniently
sick and poor.
You are trouble-wrapped
in thrift store clothes.
A motley creature
with little possibility
for redemption.
 
Who is creating that hell? The one who has fallen or those who cannot (or will not) see her as other than someone inconveniently sick and poor?
 
I catch glimpses of myself  here and wince. Such blindness and deafness leaves little room for more than isolating darkness for the one beset with myriad challenges, including homelessness and a body (and heart) on the verge of breaking down.
 
In this journey, the poet removes herself from the larger world. She seeks the safety of the Wiregrass Plains in Alabama she writes of in the title poem:
 
Many poets I knew in my youth went away and died.
Others disappeared—merely.
Me, I am hiding in a mobile home in Alabama.
 
But hiding, she is not.    

Instead, her retreat is our entry into the terrain of her life, one emotion at a time. We are with her as she struggles to adjust to the physicality of her own seasons, to the suffering only humanity’s lack of love can bestow, until she loses sight of herself.
 
Still, like the at-risk gopher and tortoise species who feed off of the wiregrass’ nutrients, she survives with a mix of ambivalence and hope, as suggested in the delicately framed Chrysalis (Queer Butterfly).  
 
I’m trying to see if you are
still waiting ahead on the road
 
for me to catch up with you.
 
This chapbook’s strength reflects the very tenacity at the core of wiregrass. According to University of Central Florida’s Virtual Arboretum, this flora species is “an extremely important … groundcover… food source for the threatened …  and plays a vital role in carrying small natural fires across the landscape.”
 
The innate ability of this plant to stay alive is yet another one of its miraculous gifts. As is Moira’s recognition of her own worth as witnessed in this conversation with herself (and with us) she shares in Did I Tell You:
 
I think
unconditional love
helps.
 
In the heavy rains,
I have my own amanuensis.
From my kitchen window,
drift roses.
 
Moira’s work has appeared in numerous publications, as has her art. To read more about this poet’s fine work, visit https://linktr.ee/mjsaucerpoet
 
This beautifully hand bound, hand stitched collection was published by Ethelzine, 2022 To order and to learn more: https://www.ethelzine.com/shop/wiregrass-and-other-poems-by-moira-j-saucer.































































































































































































































































































































































































































































 
 
 

 
 

Thursday, February 29, 2024

Ekphrastic Folk Art 3

 

 What Happens When Folk Art Gets Ekphrastic?



To find out, I invited several writers (including a junior poetess)  to mix it up; to play with the above folkloric image. Using their literary talents, they did just that. Jumping right into the challenge, they created storylines and conversations inspired by this image.

But, before I show you the results,  here are brief explanations of what ekphrastic and folk art are.

 What is Folk Art?

Folk art, in general – art made by folk - is “decorative” art applied to functional (everyday) items. Popular examples include weather vanes, Dutch hexagons, autumn scarecrows, quilts, and hand painted plates. 

What is Ekphrastic?

Ekphrastic is a term that describes the practice of using words to comment on a piece of visual art (i.e, painting, photograph, sculpture) and has been around since ancient times. For example, in The Iliad, Homer provides a lengthy, discursive account of the elaborate scenes embossed on the shield of Achilles. The word ekphrasis is a combination of two Greek words: ex (out) and phrazein (to point out, explain).

Check Out Folk Art 2

 Now, onto the excellent and innovative poetry and flash fiction:  


Observances  

crashing waves 
ornamental
molding

transparent flare
that space beyond
a rising sun
 
donor organs
eden recreated
from carnage
 
rose filter
one viewing option
if you lean in
 
recessed in frame
detailed panels
enwreathe threshold


Jerome Berglund has worked as everything from dishwasher to paralegal, night watchman to assembler of heart valves. His full-length poetry collections 'Bathtub Poems' and 'Funny Pages' were just released by Setu and Meat For Tea press, and a mixed media chapbook showcasing his photography is available now from Yavanika.    X: @BerglundJerome 

 ==

 

 

When Art Was Easy 

Twin doors.
Easements. 
For ingress & egress.
Magical space where usefulness 
Merges with aesthetic sensibility.
Beauty in the eye to the hand of the artist.
Painted cornflower blue with a bit of
Green garland &ared orange bursts— 
Detailed flowers backed by special powers.  
Woody Guthrie sang resistance songs 
between these blue doors.
Ingress 
& egress of community.
Salt-of-the-earth, brazen old men,
Strong women, young families & singles too.
Trans & drag, immigrants, indigenous,  
Poor & affluent, Black, Brown, Asian, White.
Laughing & singing between these 
doors where folk art extends her hand &
Woody Guthrie strums his guitar, singing 
songs for generations; cross bar to fascism.

 
Antoinette Vella Payne's debut poetry collection is 'That’s What Happens When You Live on Haight Street'. She hosts the monthly 1428 Poets Group open mic. Her work has appeared in the “Haight Ashbury Literary Journal", “Dime Piece” (World Stage Press) and elsewhere.     
fb:  antoinette.payne.5

==


A few small requests

apple tree breeze me fruit
small hard sharp

drench my trug with night scent
forget me nots

settle a pitcher ice-cold
to preserve

paint me your love
permit the light.
 

Marcelle Newbold’s writing explores place and inheritance. Bridport Prize shortlisted, her poems have been published by Propel, Ink Sweat & Tears, Black Bough Poetry, Maytree Press, Indigo Dreams and others. Marcelle lives in Wales, where she trained as an architect. 
X/ig:@marcellenewbold  marcellenewbold.co.uk  


==

Junior poetess Matilda wrote her piece at a shared poetry table in her family home where a candle is lit to welcome in the spirits of poetry.





Thank You All!